Brn Mawr Review De Cesare Le Statue in Immagine

Papers

Revising the Narrative of Renewal: Urban Developments in Late Antique and Medieval Rome , 2021

The art and architecture of eleventh-century Rome are predominantly discussed within the framewor... more The fine art and architecture of eleventh-century Rome are predominantly discussed within the framework of an 'early Christian renewal' (renouveau paléochrétien) closely tied to the Gregorian Reform. Articulated fifty years ago in accord with the prevailing top-down model of history, the framework is incompatible with more contempo historical approaches that emphasize agency from below. This essay argues for a more distributed model of agency in the making of eleventh-century art. A case study of Santa Maria in Trastevere, reformed in 1065, calls into question the model of a Reform art directed by cardinals. A comparison with cinematic auteur theory questions the concept of a Reformist 'directed art' from another perspective.
THE Press DOES Not Permit POSTING THE PDF OF THIS PAPER. I WILL SUPPLY IT UPON Asking.

PaperRank:

The Lives and Afterlives of Medieval Iconography , 2021

This commodity considers a case of the medieval reuse of pagan iconography and its possible medieva... more than This article considers a case of the medieval reuse of heathen iconography and its possible medieval interpretations.
THE PRESS DOES NOT Let POSTING THE PDF OF THIS PAPER.

PaperRank:

Acta advertising Archaeologiam et Artium Historiam pertinentia , 2019

The Basilica Julii (also known as titulus Callisti and later equally Santa Maria in Trastevere) provid... more The Basilica Julii (also known as titulus Callisti and later as Santa Maria in Trastevere) provides a case study of the concrete and social conditions in which early Christian liturgies 'rewired' their participants. This paper demonstrates that liturgical transformation was a two-manner process, in which liturgy was the object as well as the agent of modify. 3 essential factors-the liturgy of the Eucharist, the space of the early Christian basilica, and the local Christian community-are described as they existed in Rome from the quaternary through the ninth centuries. The essay and then takes up the specific example of the Basilica Julii, showing how these three factors interacted in the concrete weather of a particular titular church. The basilica'south early Christian liturgical layout endured until the ninth century, when it was reconfigured by Pope Gregory 4 (827-844) to bring the liturgical sub-spaces upward-to-date. In Pope Gregory's remodeling the original non-hierarchical layout was replaced by one in which celebrants were elevated above the congregation, women were segregated from men, and higher-ranking lay people were accorded places of honor distinct from those of lesser stature. These alterations brought the Basilica Julii in line with the requirements of the 9th-century papal stational liturgy. The stational liturgy was hierarchically organized from the beginning, just distinctions became sharper in the class of the early Middle Ages in accordance with the expansion of papal authorisation and changes in lay society. Increasing hierarchization may take enhanced the transformational power of the Eucharist, or impeded it.

PaperRank:

A Companion to Medieval Art , 2019

PaperRank:

Journal of Medieval History , 2018

PaperRank:

This essay surveys church building building in Rome in the fifth century.

PaperRank:

California Italian Studies , 2016

Acknowledgements: It is a pleasure to thank the staff of the Classics collection of Avery Library... more Acknowledgements: Information technology is a pleasance to give thanks the staff of the Classics collection of Avery Library for their generous aid with my report of Letarouilly, and the student organizers of the Robert Branner Forum for inviting me to give the earliest version of this essay to a learned and stimulating audience.

PaperRank:

Pope Innocent Ii (1130-1143): The World vs the City , 2016

PaperRank:

Remembering the Heart Ages in Early on Modernistic Italian republic , 2015

The surviving medieval churches of Rome can be understood metaphorically through the lenses of an... more The surviving medieval churches of Rome tin exist understood metaphorically through the lenses of anachronic substitutability and time-bound performance enunciated by Alexander Nagel and Christopher Woods. Physically, they exemplify Gianfranco Spagnesi's principle of processual transformation, whereby a building undergoes repeated alterations that preserve the essential character of its original pattern. The processual approach to Roman medieval basilicas can be traced to restorations of the second half of the 15th century, and it has enabled their survival through centuries of changing architectural styles. The surviving buildings are polychronic, harmonized by the processual adherence to their originary form.

PaperRank:

100 Jahre Bibliotheca Hertziana ... Dice Geschichte des Instituts 1913-2013

PaperRank:

Gesta , 2013

PaperRank:

Perspektiven der Spolienforsching, 1. Spoliierung und Transposition

PaperRank:

Essays in Medieval Studies , 2012

PaperRank:

Hortus artium medievalium , 2011

PaperRank:

Revising the Narrative of Renewal: Urban Developments in Late Antique and Medieval Rome , 2021

The art and compages of eleventh-century Rome are predominantly discussed within the framewor... more The art and architecture of eleventh-century Rome are predominantly discussed within the framework of an 'early on Christian renewal' (renouveau paléochrétien) closely tied to the Gregorian Reform. Articulated 50 years ago in accordance with the prevailing elevation-down model of history, the framework is incompatible with more than recent historical approaches that emphasize agency from beneath. This essay argues for a more than distributed model of agency in the making of eleventh-century fine art. A case study of Santa Maria in Trastevere, reformed in 1065, calls into question the model of a Reform art directed past cardinals. A comparison with cinematic auteur theory questions the concept of a Reformist 'directed art' from another perspective.
THE PRESS DOES Not Allow POSTING THE PDF OF THIS PAPER. I WILL SUPPLY It UPON Request.

PaperRank:

The Lives and Afterlives of Medieval Iconography , 2021

This article considers a case of the medieval reuse of pagan iconography and its possible medieva... more than This commodity considers a case of the medieval reuse of pagan iconography and its possible medieval interpretations.
THE Printing DOES NOT Permit POSTING THE PDF OF THIS Newspaper.

PaperRank:

Acta advertising Archaeologiam et Artium Historiam pertinentia , 2019

The Basilica Julii (besides known as titulus Callisti and later as Santa Maria in Trastevere) provid... more The Basilica Julii (likewise known as titulus Callisti and later as Santa Maria in Trastevere) provides a case study of the physical and social weather in which early Christian liturgies 'rewired' their participants. This paper demonstrates that liturgical transformation was a 2-way process, in which liturgy was the object as well equally the amanuensis of change. Three essential factors-the liturgy of the Eucharist, the space of the early Christian basilica, and the local Christian customs-are described equally they existed in Rome from the fourth through the ninth centuries. The essay then takes up the specific instance of the Basilica Julii, showing how these three factors interacted in the physical weather condition of a particular titular church. The basilica's early on Christian liturgical layout endured until the ninth century, when information technology was reconfigured by Pope Gregory IV (827-844) to bring the liturgical sub-spaces upward-to-engagement. In Pope Gregory'due south remodeling the original non-hierarchical layout was replaced by one in which celebrants were elevated to a higher place the congregation, women were segregated from men, and higher-ranking lay people were accorded places of honour distinct from those of lesser stature. These alterations brought the Basilica Julii in line with the requirements of the ninth-century papal stational liturgy. The stational liturgy was hierarchically organized from the beginning, merely distinctions became sharper in the form of the early Middle Ages in accord with the expansion of papal authority and changes in lay society. Increasing hierarchization may have enhanced the transformational power of the Eucharist, or impeded it.

PaperRank:

A Companion to Medieval Art , 2019

PaperRank:

Journal of Medieval History , 2018

PaperRank:

This essay surveys church in Rome in the fifth century.

PaperRank:

California Italian Studies , 2016

Acknowledgements: It is a pleasure to thank the staff of the Classics collection of Avery Library... more Acknowledgements: It is a pleasure to thank the staff of the Classics drove of Avery Library for their generous assistance with my study of Letarouilly, and the educatee organizers of the Robert Branner Forum for inviting me to give the earliest version of this essay to a learned and stimulating audience.

PaperRank:

Pope Innocent Two (1130-1143): The Earth vs the Urban center , 2016

PaperRank:

Remembering the Middle Ages in Early Mod Italy , 2015

The surviving medieval churches of Rome tin can be understood metaphorically through the lenses of an... more The surviving medieval churches of Rome tin be understood metaphorically through the lenses of anachronic substitutability and time-bound functioning enunciated by Alexander Nagel and Christopher Wood. Physically, they exemplify Gianfranco Spagnesi's principle of processual transformation, whereby a building undergoes repeated alterations that preserve the essential graphic symbol of its original design. The processual approach to Roman medieval basilicas can be traced to restorations of the second half of the 15th century, and information technology has enabled their survival through centuries of changing architectural styles. The surviving buildings are polychronic, harmonized past the processual adherence to their originary class.

PaperRank:

100 Jahre Bibliotheca Hertziana ... Die Geschichte des Instituts 1913-2013

PaperRank:

Gesta , 2013

PaperRank:

Perspektiven der Spolienforsching, one. Spoliierung und Transposition

PaperRank:

Essays in Medieval Studies , 2012

PaperRank:

Hortus artium medievalium , 2011

PaperRank:

BMCR , 2012

PaperRank:

Journal of the Society of Architectural Historians , 2021

PaperRank:

sehepunkte , 2021

PaperRank:

Speculum , 2017

PaperRank:

Speculum , 2013

PaperRank:

caa.reviews , 2012

PaperRank:

Speculum , 2010

PaperRank:

Periodical of the Society of Architectural Historians , 2008

PaperRank:

Speculum , 2005

PaperRank:

American Journal of Archaeology , 2004

PaperRank:

Periodical of the Society of Architectural Historians , 2003

PaperRank:

The Catholic Historical Review , 2001

PaperRank:

Periodical of the Society of Architectural Historians , 2000

PaperRank:

The Art Bulletin , Sep i, 1992

PaperRank:

Message of the American Schools of Oriental Enquiry , 1992

... Bailiwick(S): Mural painting and ornamentation; Synagogue fine art; Jewish art and symbolism; Christian... more ... SUBJECT(Due south): Landscape painting and ornamentation; Synagogue fine art; Jewish fine art and symbolism; Christianart and symbolism; Influence; To 500; Syria; Dura-Europos (Extinct urban center); Dura-Europa (Extinct metropolis); Bible; OT; Illustrations. Field of study: No discipline assigned. ...

PaperRank:

Speculum , 1992

PaperRank:

Bryn Mawr Classical Review , 1992

PaperRank:

Speculum , 1990

PaperRank:

Speculum , 1989

PaperRank:

Speculum , 1989

PaperRank:

American Journal of Archaeology , 1982

PaperRank:

meadowshims1987.blogspot.com

Source: https://brynmawr.academia.edu/DaleKinney?swp=tc-au-1868271

Brn Mawr Review De Cesare Le Statue in Immagine

0 Response to "Brn Mawr Review De Cesare Le Statue in Immagine"

Postar um comentário

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel